Paul Pietsch
nat rosasco • Apr 07, 2020
Researcher, Artist:
National Assembly of State Arts Agencies
Washington, DC
Bio:
Paul Pietsch leads NASAA’s qualitative research on programmatic and policy trends in state arts agencies. His research has focused on arts and the military, arts based rural development, arts in healthcare, arts and the opioid epidemic, creative aging, the creative economy, cultural districts, public art, arts education, and diversity, equity and inclusion in the arts, among other things. He also tracks state legislation pertaining to the arts and highlights innovative state arts agency practices in the monthly State to State column of NASAA Notes.
Prior to joining NASAA in 2012, Paul managed the research efforts of the Association for Demand Response and Smart Grid as well as those of the Demand Response and Smart Grid Coalition. He has worked as a writer and fundraiser at Harvard University, Dartmouth College and the Smithsonian National Postal Museum. Paul also is an artist with an M.F.A. and a graduate certificate in arts management from American University in Washington, D.C. He is a faculty member of the Washington Studio School, facilitates life drawing groups, and has served on the Artists’ Advisory Council of the Washington Project for the Arts and the board of directors of Art Enables, an art gallery and vocational arts program for artists with disabilities.
Art Against Racism is a virtual arts exhibition which aims to lift up the tremendous array of creative works made in support of the Black Lives Matter movement. In doing so, project organizers hope that the exhibition will serve as an archive of the national artistic response to this historic moment.
La Raza Youth Leadership Institute hosted an art contest for youth ages 12-19 with the goal of motivating Latinx youth to get vaccinated. Three winners were chosen, and the first place winner's artwork was displayed on buses and in bus stop shelters near a number of schools. A phone number is included with the artwork for youth to call to receive more information about vaccines.
Saint Louis Story Stitchers Artists Collective's Perception Isn't Always Reality engages BIPOC (Black, Indigenous, People of Color) teen and young adult artists to reevaluate messages they may have received about Covid-19 and vaccinations and to reevaluate the sources of the information. Through their own brand of urban storytelling that involves collaborative work in hip hop music and krump dance, spoken word, videography, photography, and podcasting, the artists will produce a challenging body of work for the public to experience on urban canvases such as the sides of city buses and on air waves.
Based in St. Louis, Missouri and incorporated in 2014, the Story Stitchers Artists Collective uses a collaborative model to create social justice art. The mission of Story Stitchers is to document St. Louis through art and word and to promote understanding, civic pride, intergenerational relationships, and literacy. Story Stitchers works to promote a better educated, more peaceful, and caring region through the creation and dissemination of original art.
The product of a collaboration the Potters' Guild of Las Cruces and Mesilla artist Josh Switzer, The Healing Wings project was developed to gave people in Las Cruces who were affected by the Covid-19 pandemic a chance to honor those lost during to COVID-19. Las Cruces community members were invited to paint clay-sculpted wings to hang on a metal tree. The wings gave the community members an artistic outlet to share their griefs or honor loved ones. The project also included a sculpture comprised of metal boxes, where people could write their experiences of grief on a paper and then put it in the box. Once the boxes are full, organizers plan to burn the notes as a symbol of letting go.
The Madisonville Community Studio is an ongoing project co-created by Madisonville residents and Design Impact to explore key questions about the inclusiveness of neighborhood changes. The project is supported by the Kresge Foundation. To improve interracial relationships in Madisonville and increase Black residents’ power, influence, and representation in the neighborhood’s development decisions.
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